Showing posts with label AirSupply. Show all posts
Showing posts with label AirSupply. Show all posts

Monday, 2 March 2026

A Gift Without a Price: Air Supply’s Thank You, and a Gentle Continuation

When Air Supply released A Matter of Time for free, it didn’t feel like a marketing move. It felt like a letter—handwritten, personal, and quietly emotional. 

No paywall. No conditions. Just music, offered openly, the way only artists who have nothing left to prove can offer it.

For us fans, the gesture landed with warmth—and a touch of uncertainty. Not because the band has said goodbye (they haven’t), but because gifts like this tend to arrive when artists are reflecting deeply on the road behind them.

More Than Reinvention — A Lifelong Evolution

Air Supply’s story doesn’t begin with trends or charts. It begins with connection. When Graham Russell met Russell Hitchcock in 1975, something rare formed: a partnership built not on spectacle, but sincerity.

They didn’t reinvent themselves to survive—they evolved. From soft rock foundations into a fuller, more confident rock-and-roll sound, their music grew with time. Yet through every shift, the core never changed. The melodies remained unmistakable. The words stayed honest. The emotional truth never bent to fashion.

Their songs didn’t shout. They stayed.

From late-night radio to wedding dances, from heartbreak to healing, Air Supply became part of people’s private lives. Their music was never about being cool—it was about being real. And reality, when written well, doesn’t age. And that's more than cool. 

Achievements Written in Memory, Not Just Records

Yes, the milestones matter: millions of records sold, global hits, sold-out tours across continents, and decades of relevance in an industry that rarely forgives longevity. But Air Supply’s true achievement is quieter.

They built trust.

Listeners knew that when an Air Supply song came on, it would mean something. It would say what people couldn’t always articulate themselves—love without irony, longing without embarrassment, hope without apology.

Very few bands survive changing eras. Even fewer do so without losing their emotional center. Air Supply managed both.

Why This Album Feels Different — Even Without a Goodbye

A Matter of Time being free is not an act of charity—it’s an act of gratitude. It says: We’re not here to extract (which I believe they never were in any case). We’re here to give.

Importantly, this is not a farewell announcement. Air Supply has not closed the door. They continue to tour. They continue to play live. They continue to stand on stage and let the songs breathe in real time, night after night, city after city.

And yet, the album carries a reflective weight—not of ending, but of awareness. Of artists who understand their legacy and choose generosity over ceremony. No dramatic curtain call. Just music placed gently in the hands of the people who’ve carried it for decades.

A Fan’s Hope — Music Beyond the Stage

As a fan, I hope this is not the last album.

There’s a hopeful thought that another record is already underway—written between tours, recorded not for momentum but for permanence. History gives us reason to believe this is possible. Artists like Freddie Mercury poured their later years into recording, understanding that while touring slows, music lives forever.

Air Supply feels capable of the same quiet persistence.

As their legacy matures, there’s a wish—admittedly romantic, undeniably wishful—that they keep recording. That they keep documenting feeling. That one day their catalog quietly reaches a symbolic milestone. Fifty albums. Not for headlines, not for charts—just as a testament to endurance, partnership, and love for the craft.

It may never happen. But then again, so much of what Air Supply achieved once felt unlikely.

The Greatest Gift a Band Can Give

In the end, Air Supply didn’t give fans an album.

They gave gratitude.
They gave continuity without promises.
They gave music without ownership.

And whether A Matter of Time is the last studio chapter or simply one more generous pause along the way, it stands as something rare in modern music: a gift offered freely, honestly, and without ego. 

They don’t say goodbye.
They don’t stop playing.
They just keep showing up—with melodies, with meaning, and with the same quiet sincerity that made people listen in the first place.

And perhaps that’s the most Air Supply thing of all.


Peace & Love!
Umar Jamshed



Wednesday, 5 August 2015

Flight to Air Supply – From Pakistan To USA



Some called it insane, other say its obsession. But for me, it embarked a journey that would take me and my wife a year to plan and a huge load of finances. Though, in all honesty, it was not the only reason; yet, yes it was for me one of the primary. From Pakistan to United States – a distance of 7,067 miles (11,430 Kilometers) and travel time of straight 2 days – landing directly to see Air Supply perform at a concert – and celebrate with them their 40th year as a band! 




But let me tell you why Air Supply and what is in their music that reaches to people such as me, coming from a country where one does not typically expect English music, so to say, to be recognized.


I was 6 when my father took me to a music store in Islamabad and I ran my fingers through a large piano that I could not barely reach hands to. My father picked me and sat me down. I played a tune that stuck to my head as a kid, probably because my dad had a mixed tape with “All out of Love” on it! And I remember playing the chorus and everyone in the store was surprised. 15 years later, at 21, I fantasized playing with the band as a pianist; and so, I got a small job and earned my first guitar and piano. Thereafter, there was no looking back. Air Supply being my core inspiration, and Graham being the master composer he is, I began following his lead – from playing the guitar, to following his composition style, and even writing songs; he was my guru. Reading this, please know that amongst other artists, I am also a big AC/DC, Bon Jovi, Tori Amos, Pakistan’s finest export Ustad Nusrat Fateh Ali Khan; but that’s another article for another time.

I professionally started writing songs from a very early age, and years later I found myself on MTV, Indus and almost all leading channels of Pakistan playing my first song “Geet”. 


Air Supply is Truly Global


But here’s a fact!  Air Supply has been an inspiration to almost 4 generations with a career spanning 40 years. Typically people associate them with soft rock and mellow love songs; whereas I associate their music as classics timepiece, beautifully written and brilliantly executed. Again, doing what they do for 40 years is a testament that perhaps like The Beatles, Air Supply too surpasses the boundaries of time.
However, perhaps little do they themselves realize, The Beatles were only more popular in UK, USA and mostly where English was understood by the masses. Don’t get me wrong, they are undoubtedly legends. However, not a lot of people particularly in Asia relate to their music. With Air Supply, it’s EVERYONE, EVERYWHERE & ANYWHERE, be it Russia, Indonesia, China, Bangladesh, India, Georgia, Nepal, Bhutan, or even Pakistan. Here’s an example: before coming to the US, I went to my local barber and in between I told him about my plans to see Air Supply live! Upon hearing, he immediately started humming “Power of Love”. Yes, one may typically think Celine Dion; however, he only knew Air Supply. Now this dude did not even know how to speak English, but he knew their songs. He also knew “Lost in Love” and even the lesser known "Keeping the Love Alive". I asked him which other foreign artist does he know, and he replied in his 'desi' accent "Machal Jaskcon, bahi jaan" - translation: "Micheal Jackson bro". But this right there reaffirms my point. Perhaps, like Michael Jackson – Air Supply is probably the other rare act that that is TRULY world-wide. 

As a musician I have performed with many leading bands and have seen places and seen cultures. Everywhere I went, I found Air Supply to be present one way or the other. They are certainly more popular than what the popular US or European charts depict. It may surprise the band themselves, but in Asia, I have heard a lot of radio channels playing Mumbo Jumbo (their 17th studio album). Even the FM89 channel in Pakistan played a few tracks. But how unfortunate really, the only last men standing are fewer in number now - and what we hear mostly on radio is plastic.  But that's again another article.

At The Event

I landed in Chicago and went to the event at the Mid-Summer Festival on 28th July, 15. I booked my Uber ride and went straight in. I was jet-lagged, and the 20,000 rather more people there, had set out their seats from 3:00 PM, I had no clue what was going on. I sat far at the right side almost out of the arena and I wasn’t happy about it. I had come too far and out to see them perform; I had to be somewhere better. So, I started roaming around; and at the extreme left of the stage, was a place where there were a few people standing. So, I stood there.



The lights went down and the guitar arpeggio starts. And just as the bass and drums kick-in, surprised I suppose, as most people expect a slow mellow performance; but Air Supply always has other plans! The concert starts ROCKING! And thereafter it just keeps building on. From the power charged Drums by Aviv Cohen, to the articulate bass lines by Jonni Lightfoot, heavy Electric leads by Aaron Mclain, accompanied by rocking piano by Amir Efrat;  and then the legends themselves – Sir Graham Russell on Acoustic/Electric/Vocals and Sir Russell Hitchcock powerful lead vocals. They sing their hearts out. One hell of a performance! Graham and Russell share a chemistry that would clearly be visible to a blind person. Where Graham controls the overall sound of the live band, Russell exhibits a lot of stage presence. I was on the awkward left of the stage; almost nearer to the backstage, and Russell would make sure no one is left feeling ignored - he even acknowledged us (a few 40 odd fellows; standing where we were). He acknowledged everyone; and it almost felt like he’s staring into each and every soul as he sings. Sweet Dreams and the remaining set could not have been sweeter!


The Perks of Being an Air Head

Right before "The One that You Love", I knew what was about to unfold. So I moved closer to the edge and towards backstage. Russell passed me and shook my hand. They went in the crowd, singing and shaking hands and paying tribute to their fans. But any die hard Air Head would know what it means when the guitar starts strolling to that particular tune.
So the great thing about being an Air Head (loyal fans of Air Supply), is that one knows what’s coming up next. It was like the entire song list was known to me even before the concert started. However, I did wish they played Someone (my fav) or some material from ‘Mumbo Jumbo’– that would have been icing on the cake! I did expect Power of Love however, that was off their list that day.



Meeting Graham Russell

But here’s the real deal! Right after the concert, I got a chance to meet Graham Russell and to sign a book for my wife Noor (or Princess Noor) as he candidly called her. My wife could not accompany me to the concert. I told Graham about my journey, and that truly has been an inspiration to me and how I was inspired by him to become a musician. He was genuinely interested to know about the Pakistani Music and I remember recommending him a few acts. Now that I recall, I could have told him something much more interesting, or have kept the conversation more interesting, however, I wasn’t really prepared to meet him and it was all rather sudden. I was dumbfounded.

But perhaps, I will meet them soon again someday or at Air Supply’s 50th Anniversary concert – this time with my wife and two daughters.  

Peace & Love!

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